To View and Picture Herself Inside of an Infinitude of Apartments: True Confessions of a StreetEasy Scroller
I try not to take it personally when StreetEasy.com asks me to verify my humanity. Apparently the way I use the website, compulsively opening tabs, scrolling through them, closing them and looking at another cluster of ads, alerts the website’s system that I am a bot. After the fourth or fifth time going through the CAPTCHA, checking pictures of crosswalks, I give up and shut the laptop. I mean, that’s pretty sad. When I’m in my street easy flow, the computer thinks I am a computer too.
But that’s kind of the point. Every ounce of life has been Air BnB’d. In my mind I have come to call what I am talking about “the real-estate-i-fication of everything.” This includes other people. People talk about other people like real estate. Good investment, bad investment. Safe, toxic. A diamond in the rough or a fixer-upper. Don’t date someone for their potential, they say. They don’t say that about housing though.
My passion for the ads started early, before the internet. It started with paper real estate magazines on the 35 minutes of ferry boat ride across the Puget Sound in Washington State. I was fascinated by houses. I liked seeing pictures of the insides of them, I liked the different styles. I was a Sims fanatic. The houses provided inspiration for my builds on the computer game. That was one reason.
The other was that I was acutely aware of what my parents had paid for their house in the 90s when they purchased it. I was obsessed about how we could get a better deal if we were willing to move. On the weekends I’d ask my mom to drive me, to please drive me, to open houses, advertised by signs in the ditches with arrows pointing down quiet lanes. I loved walking through the spaces of others in those weird little shoe coverlets.
From the perspective of a child, this obsession makes sense. A lot of space is just taken up by buildings I wasn’t allowed to go into. That’s sort of weird to a kid. So much of everything is private. I don’t think a kid understands private property. I wonder what a New York City kid understands. New York City is all of this privatization on steroids.
I’m going to tell you where I go for my goods. The real goods. Easiest way into it is with the StreetEasy ads. You gotta wait a week to get the Listings Project Newsletter (wholesome colonialism?), but boy is it juicy. I even plunder Craigslist, looking for wacky deals that aren’t scams. When I get real deep, I’ll go to the more obscure listings- like the New York City affordable housing lottery page; or the Zillow listings for the last inexpensive, income-capped, apartments in the city: the HDFC co-ops.
Why do I spend so much time doing this? It feels like important investigative work. But really, the practice is rife with longing for a life that is not my own, right now, today, breathing-in.
Alyssa Maldonado-Estrada notes that, in the 2000s, New York City was going through a major re-branding project that doubtless informs my experience of the city as a person who didn’t grow up here. She writes:
“The urban imaginary changed when Michael Bloomberg was elected mayor of New York. In his three terms from 2002 to 2013, Bloomberg effectively led a campaign to rebrand New York as a “magnet for people with dreams.”… Increasingly under Mayor Bloomberg, New York was represented as a “place of arrival,” “a place one comes to, rather than a place where one is born and raised.”” (204-5)
I feel most calm in my heart when I think that maybe, just maybe, the apartment where I live right now is my home. I rest assured knowing I am not planning on leaving. It feels like a sort of sacrilege to write that down. The resting state of an American is never you are where you’re meant to be, right now, and that’s enough. The assumption that makes the whole thing run is this: there is more out there, there is better out there, click here, discover it, keep scrolling.
When I indulge in the ads it is in a state of suspension from reality. Tension floods my body, particularly my jaw. When I decide to look at the ads, it’s with a pleasure similar to that of a child about to consume all her Halloween candy in one sitting. I know it’s going to hurt ultimately, but it will be so sweet going down.
The worst part about it is how if I did move into the dreamiest apartment I could find on the internet, I would still be left with the obsession to scroll. I doubt there is a reality where I won’t ever not be just looking. I have an imagined lives in my head. I hold a vision of myself in almost every neighborhood in this city. I’ve got my building picked out in Brighton Beach and Inwood. I know where I’d live in Sunnyside and the Financial District. Choosing between the West and East Villages would be a challenge, but it’s one I think I could overcome with a place I saw on that sunny strip of 8th Street north of Washington Square.
I know the buildings too well. It’s weird. And I like my actual apartment. I can’t imagine a better place for me actually to live. There are no answers in this piece of writing, just a true account of a person grappling with the strange phenomenon of being able to view and picture herself inside of an infinitude of apartments. Escapist at its core, I don’t think this compulsion will be going away any time soon. But, maybe it will. Everything is fleeting. Like the ads say, this won’t last long.
Works Cited
Maldonado-Estrada, Alyssa. Lifeblood of the Parish: Men and Catholic Devotion in Williamsburg, Brooklyn. New York University Press, 2020.
Keepers of The Past - Winter Newsletter - 2022
Growing up, there was a kid's show on public TV called Zoom, not be confused with today's popular virtual meeting platform. One episode had a segment I remember to this day. Two children are challenged to look up the definition of a word. One must use a computer and the internet, while the other must use a little book called the dictionary. The race is on. The child using the computer is still dialing up the modem after booting up the machine by the time the child with the dictionary has found the definition. The message? That the old fashioned way is still more efficient. The “Old Fashioned Way” has only just been conceived of as being out-of-date. This is the dawn of the world-wide-web’s presence in homes.
The segment makes clear a divergence. In the coming millennium, there will be two ways. The digital, and the analog. As a child, I understood this segment of Zoom as a rallying cry. Which side are you on? The year 2000 had scarcely hit, and I chose analog.
In late 2021, I’m watching a youtube video of a lecture by a catholic priest explaining the structure of ancient Celtic society in what is now called Ireland. I am curious about the metaphysical beliefs held by my ancient ancestors. Father Seán Ó’Laorie PhD explains the functions performed by three factions of the Celtic world in pre-Christian times. First, there are the Druids. These are the theologians, priests, healers, the keepers of The Now. Then there are the Ovates. These are the seers, the visionaries and prophets. Keepers of The Future. They were prophets whose job was not to foretell the future, but, Father Seán Ó’Laorie says in his soothing Irish lilt, to forestall it. To stop us from making stupid mistakes.
“The Prophet,” says he, “is a group that’s frightly needed on our planet right now.” Okay, he seems like a nice guy. His head is in the right place, and he’s received his doctorate in mystical Celtic stuff. I’m doing what I always do these late pandemic days. Lay in bed, soothing myself to sleep by watching sometimes educational youtube videos. I do this in a pretty removed state. But when the Father begins to speak of the third category of Celtic Society, of the Bards, I listen.
“The Bard,” he says, “was the person who made time travelers and mystics of the listeners.”
Excuse me?
“The bards are the keepers of The Past. That was their portfolio. They were historians, and they were genealogists, all in the oral tradition. There were no written records.”
Father Seán Ó’Laorie is an aging thin man with stubble and silvery hair down to his shoulders. It’s been a long time since I willingly listened to a catholic priest, but for him I’ll make this exception.
The bards, he continues, “...were also poets, minstrels, storytellers and performing artists. As far as the music was concerned, they had to be able to produce three kinds…”
I let these words seep in. It has been a hard couple of years for us. During a highly contagious pandemic wherein asymptomatic people spread the novel, and ever-mutating coronavirus during periods of breathing the same vapor - in and out, kissing and talking in close proximity - the concert halls, the country dances, the listening rooms, the warm taverns - these have all closed either forever or in awkward chunks of time. To add insult to injury, the category of individuals who could be considered today’s Bards are not recognized in our current society much, pandemic or not. We, The Bards, must scrape by, no matter what, at least in American Society. And in these long years of pestilence we have been backed into periods of forced silence. It doesn’t mean our music has died.
A friend of mine tells me that yes, she may be touring with an illustrious artist one month, but the next, she’s getting cake thrown at her playing a childhood birthday party in a backyard. She’s well into her career but her aging parents still hold out hope that she will no longer be a musician. She tells me, Melanie, someone’s got to do it. Someone’s got to sing the songs. And I feel part of a necessary but scorned populous.
But wait- how can I be so sure that I belong to The Bardic Class? Do I even qualify? To find out, I return to the video. The three categories of music a bard must be able make, in the words of Father Seán:
Music that can sooth the savage breast. Also lullabies that can let a child go to sleep.
Nostalgic music. That which would be able to make you weep for the past, or for people who are gone. To create tears for the past.
Music that made you feel happy, and makes you laugh.
On this most random of nights, here in my bed in Brooklyn, New York, watching youtube, tears form in my eyes. It’s not so much that I am seeing how my own songwriting fits into these categories. It is that I can call to mind countless other musicians from my time on this earth who also meet these bardic qualifications.
And I know them. Over my near fifteen years playing old songs I have shared intimate musical spaces with so many of them. And I know how they suffer. Penniless, laughed at, addicted to substances, or famous by stroke of luck and talent, and traveling, lodged into the public eye, a public for whom an artist’s downfall is a source of entertainment -
“The Bard,” repeats Father Seán, “was the keeper of The Past.”
The Past, The Past, why do you seduce me so?
I am not the only one either. My generation, the millennials, were the butt of jokes from the first instance of our making personal lifestyle decisions.
The complaint from older generations was that the millennials were hopelessly nostalgic. We didn't have our own culture. We recycled that of the past and fetishised it. We did a great job at fueling a resurgence of old time music, folk music, and old American traditional music. The richness of this creative culture can be seen analog at old time fiddle festivals, and virtually on youtube channels such as Gems on VHS and Western AF.
In these bards I see us. A bunch of kids who grew up having to navigate that divide between the old and the new. We were well-suited for the ancient role of bard, those who carry the past into present, who move mountains with melody, who make time travelers of listeners. We were well-suited, having lost childhoods of hard-back books to adulthoods of digital information passing rapidly by in the endless scroll. Do not scorn us, for we can take you back and forth across the river, and set you down easy in your longing and laughter with the gentle pressure of a song.
News From Life in Clinton Hill, Brooklyn:
San Benedito Beach is my second full-length album. It was released on October 23rd at an amazing sidewalk community concert meltdown called People's Beach Day. You can purchase and hear the album on Bandcamp.
I am offering Music Lessons, virtually and in-person. One of my students says this is the first time she's had fun playing music. That means a lot to me, and I'd love to work with you on banjo, guitar, fiddle and / or singing.
I had one of the most wonderful concert experiences of my life on the Maine Island of North Haven. I was accompanied by fiddler and friend from the Pike Place Market busking days, Annie Ford. Check out the Crabtree Sessions Songwriter Series for an amazing living-history documentation of some of the greatest songwriters working today. I feel so honored to have been part of the roster.
Recommendations:
vernon subutex
My tolerance for reading got zapped deep pandemic. It was reawakened by this insane delicious book series about an intertwined cadre of post-compact disc parisian rock and porn stars, degenerates, journalists, etc. The series by Virginie Despentes solidifies hunches I've had about French culture while living there. The books gives a lens on the rise of the alt-right in the country that is also cool-y antifascist radial. She writes, "They [banks/religions/multinationals] have managed to get a citizen with no heritage to give up all their rights in exchange for access to nostalgia for empire." among many other badass sentences.
winter yoga nidra
I love this pracitioner Ally Boothroyd's yoga nidra videos. If you haven't tried it, it's basically conscious sleep and relaxation. I know this time is really stressful, and a half-hour long guided spiritual nap is a gift for the nervous system. I love this particular winter solstice yoga nidra as it reminds me that right now is a time for deep rest. Outside, everybody is resting. Buds, animals, you name it. So should we.
joan didion
Joan Didion passed away. She was a hero to me. A guide. As a writer who writes about culture, about people in groups, her work has been the template for me for many years. I feel grateful to have lived in an overlap of her era. She is very special. I recommend starting with her essay collection The White Album. Rest in Peace Angel. bell hooks also passed. I haven't read enough of her work, so I am recommending her to myself.
maid
This is a TV series on Netflix about poverty and the domestic abuse cycle set in the Pacific Northwest. It is also a magical realism story of a young woman's realistic hope of embracing her dream as a writer. It hit close to home. Close to home. It's takes place in pretend Port Townsend and pretend Whidbey Island. They may be actually using the BC ferries, but I know all those characters from my actual life. The barefoot bandit episode is especially harrowing. But like in a good, beautiful redemptive way? I binged it.
how black women reclaimed country and americana music in 2021
Black Women are the queens of country music. No surprise. But Country Music the entity, the business model, the culture, is just starting to catch up. Check out these marvelous artists.
the mary wallopers
I love love love this band. Just watch n' listen.
ireland beyond colonialism podcast
I've only listened to the first episode of this, but it was pretty an engaging conversation. In episode one, a settler descended permaculture kid from Washington State attempts to return to the land of his indigenous ancestors in Scotland, so as to not cause more colonialism in Skagit Valley. His experiences are... complicated... It's an interesting glimpse into the life of someone who is attempting to belong in a world where people like me, like him, like most Americans, have to learn to live less brutally, and soon.
what's duskin doing?
My partner duskin has a great newsletter. He is an ecological philosopher, a writer, an artist, an activist, a great cook, lots of other things, and his thoughts and ideas are beautifully organized into these missives. They are a treat to receive.
Take care to all of you
may you be healthy and well-rested
sending love and light in these darkest days
-Melanie
PS
This newsletter comes seasonally, four times a year. Feel free to sign up and share it with anyone you think will enjoy it!
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January 2025
- Jan 8, 2025 Winter Newsletter 2024, & Melify Wrapped Jan 8, 2025
- Jan 2, 2025 Papyrus and Irish Men Jan 2, 2025
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September 2024
- Sep 27, 2024 Melanie Beth Curran Oct 2024 Tour Dates Sep 27, 2024
- Sep 9, 2024 Kickstarter Launched: Unearthed Songs From Irish America Sep 9, 2024
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August 2024
- Aug 7, 2024 An Evening of Irish American Songs with Melanie Beth Curran Aug 7, 2024
- Aug 7, 2024 Irish American Zines - Subscription: 1 Year, 4 Zines + Bonus Calendar Aug 7, 2024
- Aug 7, 2024 Zine 2: Happy Within: An Irish American Songbook Aug 7, 2024
- Aug 7, 2024 Zine 1: Do Me Justice: The Mary Wallopers, Arena, and Vaudeville Clairsentience Aug 7, 2024
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March 2024
- Mar 27, 2024 My Irish Bridget Stereotype Article is up on JSTOR Daily Mar 27, 2024
- Mar 19, 2024 Zine 1: "Do Me Justice" Mar 19, 2024
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February 2024
- Feb 7, 2024 Preview of Zine 1: The Mary Wallopers and Arena and Vaudeville Clairsentience Feb 7, 2024
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December 2023
- Dec 29, 2023 Pre-Order My Zine! Dec 29, 2023
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October 2023
- Oct 3, 2023 Working Melanie Magic Into The Architectural World - Fall Newsletter, 2023 Oct 3, 2023
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September 2023
- Sep 3, 2023 Lyrics to "The Belle of Avenue A" by The Fugs Sep 3, 2023
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July 2023
- Jul 10, 2023 I am an Irish-American Dead Head Closeted Red Sox Fan with a Buried Boston Accent Jul 10, 2023
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April 2023
- Apr 1, 2023 Deranged April Fools Day Pranks to Play on Your Family and Friends Apr 1, 2023
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February 2023
- Feb 17, 2023 Writing New Jersey Cultures - Course Syllabus, Spring 2023 Feb 17, 2023
- Feb 8, 2023 To View and Picture Herself Inside of an Infinitude of Apartments: True Confessions of a StreetEasy Scroller Feb 8, 2023
- January 2023
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October 2022
- Oct 9, 2022 Verbs! Oct 9, 2022
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March 2022
- Mar 26, 2022 Black Banjo Reclamation - Banjo Has Given Me Everything, What Can I Give Back? Spring Newsletter '22 Mar 26, 2022
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January 2022
- Jan 8, 2022 Keepers of The Past - Winter Newsletter - 2022 Jan 8, 2022
- Jan 3, 2022 Songs Don't Die - Fall Newsletter 2021 Jan 3, 2022
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November 2021
- Nov 7, 2021 What The Heck Was People's Beach Day and What Can Be Born of its Natural Beauty?! Nov 7, 2021
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October 2021
- Oct 31, 2021 San Benedito Beach is Released! Melanie Beth Curran's Second Album is born. Oct 31, 2021
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September 2021
- Sep 23, 2021 Glenswilly - a new old song Sep 23, 2021
- August 2021
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February 2021
- Feb 28, 2021 Webinar March 4th - Finding Songs On the Air: Lessons From Bretagne, France - University of New Mexico Feb 28, 2021
- August 2020
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April 2020
- Apr 28, 2020 Lost Love Tapes, Left-Behinds, Quaran-tunes, French Pandemic Protocols, Plage vs. Plague, Paranoid Forms, 8 PM, Corona Speaks, Namasté in My House Apr 28, 2020
- Apr 2, 2020 Lost Love Tapes Available Now, On Bandcamp and Spotify Apr 2, 2020
- January 2020
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October 2019
- Oct 14, 2019 Encounters with The Incomprehensible : Oysters, Rain, and Round Dances in France Oct 14, 2019
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July 2019
- Jul 15, 2019 Limits of the Traditional Jul 15, 2019
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May 2019
- May 23, 2019 Western Female's Folklife Performance Featured in The Kitsap Sun May 23, 2019
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March 2019
- Mar 20, 2019 The Art of Elegant Confusion Mar 20, 2019
- Mar 20, 2019 Interview with Francisco Cantú Mar 20, 2019
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February 2019
- Feb 7, 2019 Book Review of Girl Zoo Published in The Brooklyn Rail Feb 7, 2019
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March 2018
- Mar 13, 2018 Interview with Poet Layli Long Soldier about her debut book of poems, Whereas Mar 13, 2018
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September 2017
- Sep 18, 2017 Sign up for Melanie's Seasonal Newsletter, Western Female Sep 18, 2017